Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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Bihzad
Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean

ID: 34203

Bihzad Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean
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Bihzad Alexander or Sikandar annuls the magic of the malevolent idol at the entrance to the ocean


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Bihzad

the period of 1465-153 Persian illustrator. The most famous master of Persian painting, he is important both for the paintings he executed and for the wider influence of the style associated with his name. Evidently orphaned at a young age, Bihzad is said to have been raised and trained by MIRAK, a painter and calligrapher employed in Herat by Husayn Bayqara.  Related Paintings of Bihzad :. | Caliph al-Ma-mun in his bath | The saintly Bishr fishes up the corpse of the blaspheming Malikha from the magic well which is the fount fo life | The Tree of Life springs from the fount and bows over the saint | Details from Caliph al Ma mun in his bath | A peasant lectures the sage Abu Sa Id ibn Abi l Khayr,the shaykh of Mahneh.on patience |
Related Artists:
Amadeo Preziosi
Italian Painter, 1816-1882
Attributed to henry pether
fl.1828-1865
CAVALLINO, Bernardo
Italian Baroque Era Painter, ca.1616-1656 Italian painter and draughtsman. He was the most individual and most poetic painter active in Naples during the first half of the 17th century. He painted mainly small cabinet pictures, on canvas or on copper, for dealers and for highly cultivated private patrons; he had few public commissions and apparently never painted any large-scale decorations for private or ecclesiastical patrons. His subject-matter is largely derived from the Old and New Testaments, the Apocrypha, Tasso and from Roman history and mythology. Documentary evidence for his life and work is almost non-existent, and he remains enigmatic and elusive as a historical figure. Yet as a painter he is strikingly distinctive, uniting a refinement and virtuosity of brushwork with an intensely naturalistic observation of surfaces, and complex and dramatic compositions with an extraordinary brilliance of palette. Only eight pictures are signed, initialled or inscribed with Cavallino's name. No works are documented and only five may be tentatively identified with pictures in mid-18th-century Neapolitan collections described by Bernardo de Dominici.






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